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Love & The Age of Automation

by Michael Shuler

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  • Compact Disc (CD) + Digital Album

    Gatefold eco-park with a 12-page booklet insert that contains lyrics, complete song credits, and additional artwork. CD package beautifully designed by Christopher Kornmann for Spit + Image. Cover painting by Gabrielle Bakker.

    Includes unlimited streaming of Love & The Age of Automation via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      $10 USD or more 

     

  • Compact Disc (CD) + Digital Album

    Contains a 12 page booklet with lyrics, complete credits, and additional artwork, one CD, in a eco-package. Cover is an original painting by Gabrielle Bakker. CD Design by Christopher Kornmann for Spit + Image.

    Includes unlimited streaming of Love & The Age of Automation via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      $10 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more

     

1.
She had Neil Young on the hi-fi Last Trip to Tulsa She put on Blood on the Tracks, I wanted to cry Lord, she made my pulse run We left her place, went for a ride Downtown for a couple of beers The way she smiled, that look in her eye I had to focus in order to steer T-Shirt, blue jeans T-Shirt, blue jeans T-Shirt, blue jeans Something special was happening Something special was happening We parked the car, walked side by side “Let’s go some place where we won’t be seen That joint with tikis, black velvet paintings Of naked ladies. They got pinball machines.” She held her beer in long, slender fingers She held my mind and demolished time In that moment was the only moment She told her story and I told her mine T-Shirt, blue jeans… Like West Side Story or High Noon Only courage will tell the tale I’d blow the ending if I said now I’m sorry Bumming tobacco in this Tacoma jail I still remember how she was then I know she’s fine and still having fun Her smile was like a bucket of diamonds I still remember when she gave me one T-Shirt, blue jeans… Something special was happening Something special
2.
Never Girl 05:25
Never read the letters never sent Never heard songs never sung Never saw the places never went Never heard bells never rung Never end Never begin You’re nowhere never girl You’re nowhere never girl You’re nowhere never girl You’re nowhere never girl Never dreamed the dream that never was Never felt the touch upon the skin Never knew all that love can do Never played a game that we could win Never end Never begin You’re nowhere never girl… I walk the streets and I see you everywhere I turn and you vanish in the air I look to find you but you’re not there You’re nowhere never girl Never was a burden of proof Never had the lay of the land Never was a kernel of truth Never had a ghost of a chance Never end Never begin You’re nowhere never girl…
3.
You, with your innocence gated, your true love negated by his Cruel misuse of words You, while a wedding dress languishes, your mother still anguishes No toys on the stairs You, with your songs that go nowhere that take me along the crooked Miles of dreaming beach I hear you in silence and see you in darkness and feel you So out of reach Could I ever say no? Could I ever just go With your blasts of anger so contemptible? Doot doot doo doot doo doo Doot doot doo doot doo doo Doot doot doo doot doo, doot doot doo doot doo You, with my head on your platter, your invisible chatter, smiled your Mona Lisa smile You, with your hand-painted mirrors, your digital smears, and your downtown Street urchin style You, with your fratricide breath, your parasite mouth, and your disdain for All that’s true Who, oh, who could have known that when I wandered from home my tale would Lead straight to you Could I ever say no? Even when you asked me to go? Exit wounds still show From shots that were so imperceptible Doot doot doo boot doo doo… Ahhhh You, with the sky in your hands and with the sea on your skin and the bottomless Dark of the night You, with your sketchbook of fears, your phony careers, can I trust you to Make these things right
4.
That Great Wheel was the damndest deal And it stared us right in the eye Man was meant to walk on stone Like birds were meant to fly And soaring through the dome of my skull Was this new idea to me So, I climbed up on that great big wheel To see what I could see Still I cannot repent, I’m the devil And whatever’s gonna happen to me I had almost an hour On a highway known only to me That Great Wheel just appeared one day And the ruckus was loud and long Folks came from many miles around They knew that something was wrong And they all stared in such wide wonder At something so mystifying It made the men feel like children And the children all start to cry Still I cannot repent, I’m the devil… Curiosity Now, there’s a logic to commerce And a logic to policy But there weren’t no logic to something that round That whistled like wind through a tree In the middle was as black as coal With colored stars that danced to mesmerize Women hushed up their babies While the old men lowered their eyes The sky looks just like the ocean Our town fathers were without words When I climbed up on that big ol’ wheel I heard something I should not have heard Now my tongue is like a pencil lead And my brain like a lovers curse I did not want to end up this way I knew nothing could be worse Still I cannot repent, I’m the devil…
5.
Out of the Tularosa In a dusty border town I saw you at the window In a blood red satin gown I curse the day I met you I curse these broken hands I curse the modest husband Buried in the river sands In a talking dream I will make the mountains rise In a talking dream I will light the darkened skies In a talking dream You will see who I really am In a talking dream There but for the fortune There but for the grace There inside the torture There upon your face I don’t need no heroin I don’t want your curse I just want your love, babe Even though it’s sometimes worse In a talking dream…
6.
I wish I was different Sometimes I wish I was dead But nothing means nothing When it’s inside your head If wishes were raindrops They’d hide the tears that we shed The dividing line falls On your side of the bed We used to talk all the time We used to talk until dawn There was never a question Whose side we was on You can hope for the better You can hope all night long But they don’t call them memories Until they are gone The dividing line falls And there’s nothing to say They don’t make a broom That could sweep this away The hoot owl calls Nothing more will be said The dividing line falls On your side of the bed The dividing line runs Right through my head
7.
Belle Starr 04:42
She’s like a vision locked in the rocks Like a trade secret hidden in a Chinese box She dreams of the Old West and hombres who drew faster Who’d never back down even in the face of disaster But it’s all a dream in every last detail Just like her old friend Tommy when the trailer hitch broke Up and left everything he owned ‘cause he thought it was a joke She’d throw it all away even her earrings and scarves, That necklace from Morocco, and her antique Tarot cards ‘Cause it’s all a dream in every last detail Twenty-first century Wild West outlaw Belle Starr Stuck in a port town in the Great Northwest Her smile is broken and no one to give it repair I reach out my hand and she disappears She thinks like a poet but she acts like an idiot She ain’t got no car and she ain’t got no home She’s got an old guitar and she plays it so well She’s got some songs to sing and a story to tell But it’s all a dream in every last detail Her best friend’s a whiskey and her church could be a barstool Her visions are tyrants that got her locked in the rocks She could be a queen covered in garlands and pearls But a flea market soul keeps on calling her home And it’s just like a dream in every last detail Twenty-first century Wild West outlaw Belle Starr Abandoned and stranded under a northern sky Her old man don’t love her but she could never leave him Her dreams left like stains on a wedding gown Her dreams left like stains on her wedding gown
8.
Slinger 06:11
The purple hour of dawn paints the white taut face blue Ice cracks beneath his boots. The cock crow overdue “Why?” whispers the face of gray, the bank, and the smithy’s fire “Who?” asks the morning dove. “Who cares,” says the funeral pyre The nameless stranger had held the cards for two days in a row Staring through the mirror, he said, “That gunman’s gotta go” Standing at the bar ready for one more Gunslinger was thinking of something else Not hearing what he’d heard before Slinger, gunslinger, are you heading for Boot Hill? Don’t you remember that God once said, Thou Shalt Not Kill You do just what you’re able, and You do what you do best Slinger, gunslinger, are they ever gonna let you rest? A gold watch on a gold chain, an ancient rosary Hiding in the pockets of a human mystery To some he is a hero. His skill is absolute. Though admired, he kills for hire. What kind of man would go that route? Slinger, gunslinger, are you heading for Boot Hill?… The lizard in his mastery, the cactus along the trail Bleached bones and wagon wheels tell a silent, thirsty tale The sun moves toward the West, like a man looking for his home Gunslinger glances eastward He knows that he must roam Slinger, gunslinger, you’re heading for Boot Hill…
9.
Step Up 05:11
There’s been some misunderstanding Understanding’s not you’re strong suite Lately so demanding And sensitive, to boot You’re not in love with her She’s slightly over the moon You must talk about it And talk about it soon Step up Got a message for you Step up Don’t you care? Yeah, she loves you (now) But when she needs you You won’t be there Her perfect imperfection Sealed her perfect doom There was no small correction That could stop the coming gloom You saw in an instant An instant too late She had plans for you It was her plans that sealed her fate Step up…
10.
Hubble 00:29
None
11.
In the age of automation She is drawn into a fire As the flames become more obvious Her confusion rises higher She tenders her resignation Every time he speaks But her fatal independence Contradicts the thing she seeks In the age of automation He begins to read a book With an effort far beyond his tears His eyes begin to look Drifting like a satellite High above the moon His dreams begin to turn to her Like a long-remembered tune She is caught in a photograph She is struck by a hologram She sits and weeps by the heliograph While he carries a crumpled old telegram In the age of automation They are moved to speak in tongues Drifting like two molecules Light years from the sun His hands begin to whisper Her heart is listening In the age of automation As the rain begins to sing

about

From the heart-pounding Peter Gunn riff that opens the disc on “T-Shirt, Blue Jeans” to the wonderful piece of sophisticated country composition on “The Dividing Line – a duet with the glorious Syd Straw – this (Love & The Age of Automation) is a garden of unearthly delights. “Never Girl” has a beautifully awkward riff and a dive into psychedelia, while “Slinger” is a hard-faced stare at the Eagles’ romanticism of the gunfighter that keeps the edges jagged and harsh. Throughout, there’s plenty of opportunity for Shuler to show his guitar chops, but it’s never flashy. This isn’t boasting, this is burnishing the song. One joy of releasing music so rarely is that every track can be a standout, and these are. But for me, the one that’s above the others is “You (The Shudder Of Impermanence)”. It’s filled with woozy, off-kilter psychedelia that can take turns into the unlikely, all
shaded by a real 1965 Dylan sneer in the vocals – and the lyrics here, as
throughout, are excellent – that acts as the blood on the track. He might have moved back to California, but the shadows on the PNW still seem to be tangled in his music.

credits

released October 14, 2019

Gary Ferguson, drums on all tracks except In a Talking Dream
Dean Moore, drums on In a Talking Dream
Scott McCaughey, bass on Never Girl
Fernando Perdomo, bass on You (The Shudder of Impermanence), The Ballad of The Great Wheel, In a Talking Dream, and Step Up
Gene Libbea, acoustic upright bass on The Dividing Line, Slinger, and In The Age of Automation
John Pierce, bass on T-Shirt, Blue Jeans and Belle Starr
Marty Rifkin, pedal steel on The Dividing Line
Jeff Watson, lap steel on Step Up
Lou Mannick, musical saw on Slinger
Sheila and Mari Hartley, handclaps on T-Shirt, Blue Jeans

Syd Straw, duet vocal on The Dividing Line and background vocals on In a Talking Dream
Carolyn Wennblom, harmony vocal on Slinger and background vocal on Step Up
John Ramberg, harmony and background vocals on Never Girl, You (The Shudder of Impermanence), The Ballad of The Great Wheel, Step Up
Bill James, background vocals on The Ballad of The Great Wheel and Belle Starr
Will Mathews, background vocals on Belle Starr
Sheila Hartley, background vocals on In The Age of Automation

All other instruments and vocals by Michael Shuler


Produced and recorded by Michael Shuler*
Mixed by Wyn Davis at Total Access Recording, Redondo Beach CA
Mastered by Jeff Lipton and Maria Rice at Peerless Mastering, Boston MA

Engineered by Michael Shuler
Additional engineering: Fernando Perdomo, Marty Rifkin, and Scott McCaughey

Cover painting, The Begging Minotaur: Gabrielle Bakker
Michael in Two Halves: sculpture by Allan Packer, photo by Michael Shuler
Graphic Design - Christopher Kornmann, Spit + Image

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Michael Shuler Los Angeles, California

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